Maria Trezinski, Bluming, 2016
David Petriccioli, Layer, 2017
Anne Schwabe, Serie I_Nr. VIII, 2017
Marianna Raikkala, Don’t Tell the Sea, 2017
Aimée Campeau, Voyage, 2015
Eric Sappington, Stella, 2017
Hinrich JW Schueler, Abstract Landscape 5-2017, 2017
Sali Swalla, Love Lightly, 2017
Massimo Di Stefano, The Storm, 2010
Arya Pandjalu, Bird Prayers, 2007
Sophie Aline Picaut, Evolution IV, 2017
Bartlomiej Radosz, No Title, 2017
Larry Hill, Square One, 2018
Le Pauvre Canard, Amami Ora Perchè Domani è Lontano, 2018
Crystall Coroy, Shadow, 2017
Ragnhild Aune, Untitled, 2016
Abel Burger, Daydreaming, 2017
 

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Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Vaidehi Kinkhabwala, Rooster Series, 2016
MK Anisko, Emotional Landscape, 2017
Anne Schwabe, Serie_Nr. V, 2017
Munleen Sibia, NYC Graffiti, 2017
Wessel Middelbos, Flood, 2016
Irena Buzi, Three Sunsets Grow Up into a Flowerpot, 2017
Ömer Faruk Kiliç, Age of Tears, 2017
Andrew McNamara, Untitled, 2017
Emmy Bergkvist, Movement, 2017
Hennesien van Walderveen, Face, 2017
Jake Nordstrum, The Quintessential 1980s Pop Duo, 2017
Alicia Larsson, Spilling Our Rose Oil, 2016
Ömer Faruk Kılıç , Reflection, 2017
Juro Kralovic, Obsolete, 2017
Amy Stone, My Heartbeat, 2016
Christian Scholz, Sägeblatt und roter Punkt, 2017
Giulia Querin, The Right Decision, 2017
 

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THE SLOW

With a successful 9 months of open doors in Bali, The Slow has made its mark as a premier island stay with an artful agenda. Located in the southern hood of buzzing Canngu, the multifaceted establishment incorporates all-day dining and drinks, art and local culture, boutique accommodation, and interactive retail. The eclectic space gravitates around the owners’ personal art collection, with a private collection of featured arts by the likes of Chris Searl, Rostarr, Simon Lekias and Kate Bellm. 

Sophie Aline Picaut, Evolution IV, 2017
Suki Nabarro, Dark Days, 2017
Massimo Di Stefano, The Storm, 2010
Alicia Larsson, Spilling Our Rose Oil, 2016
OYL, Waves 1, 2015
Alice Klock, Scape, 2016
Alexander Gorelikov, Revolutionary Dreams, 2016
Bettina Schmidt, Untitled, 2017
Cédrick Vannier, Blanche Neige, 2017
Fabian Kiepenheuer, Untitled Nr.15, 2016
Cristina Golovatic, Hot Sauce, 2016
B Shawn Cox, Tied to NewKleeR Options
Una Ursprung, Untitled, 2017
Michele Bajona, Reflection, 2018
Vian Shamounki Borchert, Abstraction Melody, 2017
Lili Gulbert, Emotional Patches No. 199, 2016
Flo, To Let Go, 2016
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

THE SLOW

With a successful 9 months of open doors in Bali, The Slow has made its mark as a premier island stay with an artful agenda. Located in the southern hood of buzzing Canngu, the multifaceted establishment incorporates all-day dining and drinks, art and local culture, boutique accommodation, and interactive retail. The eclectic space gravitates around the owners’ personal art collection, with a private collection of featured arts by the likes of Chris Searl, Rostarr, Simon Lekias and Kate Bellm. 

Andrea Clay Cook, Garden of Roses #86 Onyx, 2017
Anna Matykiewicz, Cognitive, 2015
Hennesien van Walderveen E.V.A 2018
Andrea Maria Kollar, Dancing, 2017
Michele Di Tonno, I’m with you, 2007
Burcu Kartal, Saturday Night, 2017
Madeleine E. Gripenstam, Oil in the Ocean, 2017
Fabian Kiepenheuer, Untitled Nr. 5, 2016
Erik-Jan van der Schuur Ashtaroth, Struggling with the face of God, 2017
Vaidehi Kinkhabwala, Rooster Series, 2016
Alexander Gorelikov, Revolutionary Dreams, 2016
Anne Schwabe, Serie I_Nr. VIII, 2017
Cherie Brown, Nude Abstract, 2017
Véronique Dumont, Pixel, 2017
Nuriye Yılmaz, Istanbul, 2017
Virginie Ménard, Sea Window, 2017
Fabian Kiepenheuer, Untitled Nr. 11, 2016
Christina Klein, Postmortem, 2016
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Leanne Simpson, A Storm Approaches, 2017
Jeff Cote, A Way Out, 2017
Hinrich JW Schüler, Mikrokosmos Nr. 33, 2015
Christian Scholz, Wellenzauber, 2017
Chris Kenny, Menologion Detail: St Sebastian, 2018
Alexander Gorelikov, Revolutionary Dreams, 2016
Timur Lukas, Untitled, 2016
Madeleine E. Gripenstam, Oil in the Ocean, 2017
Alice Klock, Scape, 2016
Laura Van Horne, Black and White, 2017
Amanda Anderson, Anthropometry of Nature, 2016
Fabian Kiepenheuer, Untitled Nr. 5, 2016
Cathleya Fuller, Untitled, 2016
Sam Hennig, Finding Out, 2017
AXIÖM Lë FØU, Untitled, 2017
Mariano Villanueva, Revelacion Interior, 2017
Jan Axelsson, Untitled, 2017
MK Anisko, Emotional Landscape, 2017
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Hvrenja, Playground, 2017
Dimitri Casters, Ignorance Fails, 2017
Tuba ASLAN, Rodent Joy, 2017
Okubo Takahiro, Comedown Machine, 2017
AXIÖM Lë FØU, Untitled, 2017
Jeff Cote, A Way Out, 2017
Giulia Querin, The Right Decision, 2017
Suki Nabarro, Dark Days, 2017
Eric Cloutier, Sun Bak’s Stun Attack Sends you Way Back, 2017
Massimo Di Stefano, Rain, 2010
Madeleine E. Gripenstam, Oil in the Ocean, 2017
Marie-José Coenen, Untitled, 2015
Claude Winn, Antheia, 2018
Maksym Berezenko, Ghost Ship, 2016
Hennesien van Walderveen, Face, 2017
Sujin Wattanawongchai, 2017-60, 2017
Fabian Kiepenheuer, Untitled Nr. 14, 2016
Ely Magos, Chili 84, 2016
 

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MAISON DELPHINE

Maison Delphine is a little exquisite store in Zurich, Switzerland, that sells ex­clu­sive and handmade clothes weaved with the highest quality of cashmere. Each piece in the collection is produced personally, tailored according to individual specifications and customised to personal colours. Clients can visit the beautiful store in order to get inspired by the beautiful yarn samples, or to try on the latest collection. Maison Delphine obtains its yarn from traditional, italian companies like Cariaggi Lanificio Spa or Loro Piana. Additional to the collection, some paintings by a local artist are displayed within the showroom, complimenting the soft and warm colours of the collection.

Dominik Borkowski, Untitled, 2016
Maria Trezinski, Bluming, 2016
Aimée Campeau, Voyage, 2015
Fabian Kiepenheuer, Untitled Nr. 11, 2016
Amy Stone, My Heartbeat, 2016
Natalia Juarez, We are Voyeurs, 2017
Anna S. Wonnebauer, Untitled, 2017
Monica Janes, Spring Snowfall, 2017
Jessi Donnelly, Intuitive Spill, 2016
Hennesien van Walderveen, Mr. Q., 2017
Saulo Castro, Hidden River, 2017
Katy Kuhn, Cubierta Dos, 2017
Claude Winn, Antheia, 2018
Nuriye Yılmaz, Istanbul, 2017
Giulia Querin, Untitled, 2017
Forouzan Shafie, Untitled, 2017
Flo, To Let Go, 2016
Barabara Krajewska, Two Horses, 2017
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Christian Scholz, Linienführung, 2017
Isabella Werkhoven, Metamorphosis (The Pool’s Meadow), 2017
MK Anisko, Emotional Landscape, 2017
Claude Winn, Antheia, 2018
Saulo Castro, Hidden River, 2017
Maria Trezinski, Bluming, 2016
AXIÖM Lë FØU, Untitled, 2017
Sophie Aline Picaut, Evolution IV, 2017
Fabian Kiepenheuer, Untitled Nr. 11, 2016
Miri Baruch, Serenity, 2018
Christopher Farrell, From Farringdon, 2015
Virginie Ménard, Sea Window, 2017
Vian Shamounki Borchert, Abstraction Melody, 2017
Angie Rubin, Siren, 2017
Vine Ledusic, Untitled, 2016
Dean Rossiter, Reaction X, 2017
LIANG Hailun, N° 118, 2017
Hennesien van Walderveen, Mr. Q., 2017
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Marjolein Verstappen, Sending Signals, 2017
Leanne Simpson, A Storm Approaches, 2017
Sven Egert, Untitled, 2017
Fabian Kiepenheuer, Untitled Nr.15, 2016
Jessica Matier, From Darkness Came Light, 2017
Sally West, Calm After the Sun, 2017
Abel Burger, Daydreaming, 2017
Hatice Üstündag, Untitled, 2017
Milos Komadina, The Moonset, 2013
Greet Verstraete, Just a Perfect Day, 2017
Andrea Maria Kollar, Dancing, 2017
Sam Hennig, Finding Out, 2017
Sam Hennig, Faithless, 2017
Svetozar Martinov, Retro, 2017
Claude Winn, Antheia, 2018
Michele Di Tonno, I’m with you, 2007
Elisa Massara, Inside, 2017
Kate Dolan, Rivers Run Dry, 2017
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

THE SLOW

With a successful 9 months of open doors in Bali, The Slow has made its mark as a premier island stay with an artful agenda. Located in the southern hood of buzzing Canngu, the multifaceted establishment incorporates all-day dining and drinks, art and local culture, boutique accommodation, and interactive retail. The eclectic space gravitates around the owners’ personal art collection, with a private collection of featured arts by the likes of Chris Searl, Rostarr, Simon Lekias and Kate Bellm. 

Dominik Borkowski, Untitled, 2016
Maksym Berezenko, 8 Days, 2017
Lynne Walker, Gremišće, 2017
Georgia Goritsa, Waves, 2016
Hinrich JW Schüler, Mikrokosmos Nr. 33, 2015
Katy Kuhn, Cubierta Dos, 2017
Isabella Werkhoven, Metamorphosis (The Pool’s Meadow), 2017
Massimo Di Stefano, The Storm, 2010
Barabara Krajewska, Two Horses, 2017
Rita Rae Mertens, False Hope, 2017
Claire Brewster, We’re Waiting
Hosken, 11, 2017
Elena Kupreeva, November Morning, 2016
Fabian Kiepenheuer, Untitled Nr. 5, 2016
Kari Hall, Season of Awakening, 2017
Sketches, Destruction, 2018
Eiyou Studio, Faces of War
Claire Brewster, Sometimes I Wonder, 2017

 

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