Jose Cifuentes, Insight, 2018
Fabian Kiepenheuer, Untitled Nr. 9, 2016
Hanasoji, Twisted Hopes, 2018
Lilian Zingg, Alles im Fluss, 2008
Christopher Farrell, From Farringdon, 2015
Christopher St. John, When the Fire Comes, I Hope They Remember Tenderness, 2017
Deadhippy, Drip, 2018
Anita Heitzmann, Catching Summer, 2017
Pavel Lysyi, Conformist Walk 3, 2018
Christina Klein, Model Home, 2017
David Willis, Jungalero, 2018
Rasmus Højfeldt, Conceptual Romance, 2017
David Willis, Blue Jungle, 2018
Emily LaCour, Holding Infinity, 2017
Damien Demaiter, The Things of Life, 2018
Christoph Bodmer, Sofia Bauhaus, 2016
Andreas Lüthi, Dancing Barefoot, 2019
Nicole Grenot, Writing in my Mind, 1983
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Juan Sanchez, Candle, 2017
Fabian Kiepenheuer, Untitled Nr. 6, 2016
Keelin Jane, Gold Blooded, 2017
Vaclav Pisvejc, Figures , 2017
Shiran Bentov, Awake, 2017
Alice Zilberberg, Blue Mist over a Foreign Homeland, 2017
Christoph Bodmer, Toni, 2017
Benjamin Nyari, Milo of a Venus, 2017
T.H. Bucerius, Light On, 2017
Carlos Aznar, Garabating 26, 2018
Silvana Jankovic, Bouquet No 1, 2019
Javier Infantes, Japanese Garden, 2017
Fabian Kiepenheuer, Untitled Nr. 11, 2016
Carla Figallo, Tramonto, 2018
Meral Gul, Who are you?, 2018
Maria Kostareva, In the Metro Train, 2017
Antje Weißmann, Entrückt, 2017
Michele Bajona, Conversazione con Javier Marin II, 2016
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

NO GLOSS MAGAZINE BY ANNA MAIER

Anna Maier has been a journalist for two decades. Her Blog "No Gloss Magazine" tells maverick life stories and focuses on issues that spark debate and make us think. Toss the gloss and dig in deep. Her stories are scratching below the surface and delves beneath the gloss, focusing on extraordinary people, for lateral thinkers who care about culture, politics, architecture, and travel.

Maria Andrade, Untitled, 2017
Silke Natschke, How to Get Things Right, 2017
Ulrike Heydasch, “Grandpa’s garden – as if it were yesterday”, 2019
Emerson Wang, Pink Bella, 2017
Zack Smithey, Vibrations, 2017
Jasmine Cadenhead, King Tide, 2017
Alexander Mateev, Safe our Souls, 2017
Anja Katharina Spagl, Ericeira, 2017
David Csovari, Jelly Belly, 2018
Furkan Sakizli, Colorfall, 2018
Julia Jo, Weak In the Knees, 2018
Fabian Kiepenheuer, Untitled Nr. 16, 2018
Daniela Schweinsberg, Mad World, 2018
Anna Matykiewicz, Serenity, 2018
C.A.T. (Chaos and Thread), Knowingness, 2016
Melanie Zarrow, Still In Love, 2018
Cathrine Muryn, Untitled, 2018
Stefania Abico, Electro-Pop, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

THE VISIONARY PROJECTS

The Visionary Projects curates meaningful experiences with influential artists, creators & innovators in cities around the world. With a goal to promote creativity, personal growth and social change, we utilize the strengths of our collective outreach to learn the specialties of these visionary leaders. These kinds of workshops & events are meant for everyone - beginner to professional, of all backgrounds. Our team shares personal and professional knowledge of fine art, photography, filmmaking, writing, yoga & general wellbeing.

Christina Mantzoutsos, Untitled, 2017
Juan Sanchez, “Helga”, 2017
Ellen Vrijsen, Detail YSL Wip, 2018
PIerre Le Page, Sans Titre – Improvisation Petit Format, 2019
J. Adam McGalliard, Use Your Words I, 2017
Dragomir Misina, Shift 1, 2015
Maksym Berezenko, Masks, 2017
David Willis, Jungalero, 2018
Maria Kostareva, In the Metro Train, 2017
Juan Sanchez, Ghiaccio, 2017
Czesław Nowakowski, Date of a Glass of Wine, 2018
Sladjana Andrekulovic, Portrait, 2017
Ceci Villafagne, Selfie con instrucciones, 2016
Pavel Lysyi, Conformist Walk 1, 2018
Meral Gul, Who are you?, 2018
Silke Natschke, How to Get Things Right, 2017
Ulrike Heydasch, “Grandpa’s garden – as if it were yesterday”, 2019
Jukka Suhonen, A Boat, 2018
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

NO GLOSS MAGAZINE BY ANNA MAIER

Anna Maier has been a journalist for two decades. Her Blog "No Gloss Magazine" tells maverick life stories and focuses on issues that spark debate and make us think. Toss the gloss and dig in deep. Her stories are scratching below the surface and delves beneath the gloss, focusing on extraordinary people, for lateral thinkers who care about culture, politics, architecture, and travel.

Alketa Ramaj, Sofia’s Blouse, 2018
David Csovari, Jelly Belly, 2018
Paul Helliwell, Hazard Warning, 2019
Jestin George, Off White, 2016
Karin Goeppert, Chevaux, 2018
Cailin Rawlins, Don’t Let the Monster Win, 2018
Julie Adriansen, Maiden Voyage,2017
Keelin Jane, Gold Blooded, 2017
Farzin Rahneshin, Vacancy, 2018
Svetlana Grishina, Parasaurolophus / Protection, 2017
Laura Bianchi Florio, Emotions, 2017
Stacey Elyse Kaufman, Sumo Painting, 2018
Lilian Zingg, Alles im Fluss, 2008
Damien Demaiter, The Things of Life, 2018
Paulina Siniatkina, Intimacy, 2017
Maryse Terny (Fumigraphik), Grand Central, 2019
Plamen Enev, White Hills, 2017
Daniela Schweinsberg, Mad World, 2018
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

THE SLOW

With a successful 9 months of open doors in Bali, The Slow has made its mark as a premier island stay with an artful agenda. Located in the southern hood of buzzing Canngu, the multifaceted establishment incorporates all-day dining and drinks, art and local culture, boutique accommodation, and interactive retail. The eclectic space gravitates around the owners’ personal art collection, with a private collection of featured arts by the likes of Chris Searl, Rostarr, Simon Lekias and Kate Bellm. 

Fabian Kiepenheuer, Untitled Nr. 6, 2016
Biddy Hodgkinson, Love Grows, 2017
Stewart Nicol Soutar, Oh Brave New World that hath such creatures in it.
Kyan Smith, Untitled #003-16
Allison Estergard, Portal, 2018
Jasmine Mills, Canopy, 2017
Dragomir Misina, Portrait of… 4, 2018
Melanie Zarrow, Still In Love, 2018
Nash Abstract, Arrwa, 2017
Henry Hoffman, Thinking About, 2017
Jukka Suhonen, A Boat, 2018
Christopher St. John, When the Fire Comes, I Hope They Remember Tenderness, 2017
Daniela Schweinsberg, Mad World, 2018
Ceci Villafagne, Selfie con instrucciones, 2016
Christina Klein, Perspectives, 2017
Interior Landscape 2, Wanda Decca, 2016
Fabian Kiepenheuer, Untitled Nr. 12, 2016
Julia Jo, Weak In the Knees, 2018
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

MAISON DELPHINE

Maison Delphine is a little exquisite store in Zurich, Switzerland, that sells ex­clu­sive and handmade clothes weaved with the highest quality of cashmere. Each piece in the collection is produced personally, tailored according to individual specifications and customised to personal colours. Clients can visit the beautiful store in order to get inspired by the beautiful yarn samples, or to try on the latest collection. Maison Delphine obtains its yarn from traditional, italian companies like Cariaggi Lanificio Spa or Loro Piana. Additional to the collection, some paintings by a local artist are displayed within the showroom, complimenting the soft and warm colours of the collection.

Rachel Wijsman, Who said Nefertiti was a woman? 2019
Vaclav Pisvejc, Mr.Berlusconi Injures by Little Statue, 2005
Julia Jo, Weak In the Knees, 2018
C.A.T. (Chaos and Thread), Knowingness, 2016
Emerson Wang, Pink Bella, 2017
Gaetano Pergamo, Saved Souls, 2018
Fabian Kiepenheuer, Untitled Nr. 18, 2018
Novak Slunjski, No Title, 2018
Emily LaCour, Holding Infinity, 2017
Claudia Rega, Places 1, 2017
Ramune Sadauskiene, Feeling Special, 2017
Florina Breazu, Field, 2017
Basile Pesso, Image from the series To All Tomorrow’s Parties, 2014
Justyna Jułga, Over the Vistula River, 2018
Juan Sanchez, Clorophytum, 2017
Fabian Kiepenheuer, Untitled Nr. 6, 2016
Ceci Villafagne, Selfie con instrucciones, 2016
Pavel Lysyi, Conformist Walk 1, 2018
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Barbara Caputo, Dreamy Suspension, 2018
Justyna Jułga, Over the Vistula River, 2018
Fabian Kiepenheuer, Untitled Nr. 9, 2016
Alice Zilberberg, Blue Mist over a Foreign Homeland, 2017
Cathrine Muryn, Untitled, 2018
Marie2n1, Melting 171216, 2017
Jonathan Grego, Tele a colori, 2010
Stewart Nicol Soutar, Towards Our Destination – Dystopia 2
Christina Klein, Perspectives, 2017
Paulina Siniatkina, Intimacy, 2017
Karin Goeppert, Snap, 2019
Karin Goeppert, Chevaux, 2018
Nunzio Miano, The Unveiling, 2018
Lynne Walker, Gremišće, 2017
Radek Smach, TU709, 2018
Czesław Nowakowski, Date of a Glass of Wine, 2018
Ramune Sadauskiene, Feeling Special, 2017
T.H. Bucerius, Light On, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

NO GLOSS MAGAZINE BY ANNA MAIER

Anna Maier has been a journalist for two decades. Her Blog "No Gloss Magazine" tells maverick life stories and focuses on issues that spark debate and make us think. Toss the gloss and dig in deep. Her stories are scratching below the surface and delves beneath the gloss, focusing on extraordinary people, for lateral thinkers who care about culture, politics, architecture, and travel.

Jukka Suhonen, A Boat, 2018
David Tycho, Painted Desert, 2017
Claudia Rega, Places 1, 2017
Kelvin Low, Freedom 3, 2017
Dusko Rokvic, Moon in the Bottle, 2018
Karin Goeppert, Snap, 2019
Jonathan Grego, Tele a colori, 2010
T.H. Bucerius, Light On, 2017
David Wilson, Slumber, Study, 2017
Stewart Nicol Soutar, The Harbour at Dystopia, 2018
Sladjana Andrekulovic, Portrait, 2017
Dragomir Misina, Portrait of… 4, 2018
Carla Figallo, Tramonto, 2018
Alex Sobolta, Mythic Dawn, 2017
Dan Terry, Texas Longhorns & Bluebonnets Mural, 2017
Laura Van Horne, Flowers on Fire, 2018
Andreea Zecheru, “Blue” series – “In Flow”, 2018
Antje Weißmann, Entrückt, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Alma Seroussi, Untitled, 2018
Claudia Rega, Places 1, 2017
Shiran Bentov, Awake, 2017
HRAIR, Perfect Stranger, 2018
Juan Sanchez, Ghiaccio, 2017
Novak Slunjski, No Title, 2018
Muriel Boer, The Beach, 2015
Shabana Godhrawala, Chair, 2017
Denise Eyer-Oggier, It’s Shearing out the Letters II, 2013
Jose Cifuentes, Terri Lew, 2019
Hennesien van Walderveen, Therese, 2018
Juan Castillo, Y ahora, qué?, 2018
Christoph Bodmer, Berlin X-Berg, 2017
Brad Bealmear, The Reckoning XII, 2018
Jose Cifuentes, Unstable, 2019
Julie Adriansen, Maiden Voyage,2017
Maryse Terny (Fumigraphik), Grand Central, 2019
Christopher Farrell, From Farringdon, 2015
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

THE VISIONARY PROJECTS

The Visionary Projects curates meaningful experiences with influential artists, creators & innovators in cities around the world. With a goal to promote creativity, personal growth and social change, we utilize the strengths of our collective outreach to learn the specialties of these visionary leaders. These kinds of workshops & events are meant for everyone - beginner to professional, of all backgrounds. Our team shares personal and professional knowledge of fine art, photography, filmmaking, writing, yoga & general wellbeing.

Angelina Gaus, Untitled, 2017
Silvana Jankovic, Bouquet No 1, 2019
Fabian Kiepenheuer, Untitled Nr. 5, 2016
Alexander Mateev, Quasimodo, 2017
Karen Goetzinger, Indelible Mark, 2018
Hinrich JW Schueler, Abstract Landscape 5-2017, 2017
T. H. Bucerius, No. 5, 2017
Ellen Vrijsen, I Was Wrong, 2018
Andrei Rublevik, Web, 2017
Per Olav Kobberstad, Ab1, 2019
Fabian Kiepenheuer, Untitled Nr. 13, 2016
Ramune Sadauskiene, Feeling Special, 2017
Tamara Wasserman, Drunk by Night, 2018
Shiran Bentov, Awake, 2017
May-Linn Aaslie, January in North
Nash Abstract, Arrwa, 2017
Maksym Berezenko, Masks, 2017
Fabian Kiepenheuer, Untitled Nr. 12, 2016

 

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