Czesław Nowakowski, Date of a Glass of Wine, 2018
Sam Hennig, Faithless, 2017
Lisa Lupieri, Happy Women’s Day, 2017
Benjamin Nyari, Milo of a Venus, 2017
Jose Cifuentes, Terri Lew, 2019
David Willis, Jungalero, 2018
Sujin Wattanawongchai, 2017-60, 2017
Helen Lack Art,2017
Christoph Bodmer, Toni, 2017
Deadhippy, The Devil Karim, 2018
J. Adam McGalliard, Use Your Words I, 2017
Kate Dolan, Amongst the Trees with Nina, 2018
Burcu Kartal, Saturday Night, 2017
Hale Aydar, The Yellow Road ,2018
Rachelle Kearns, Gracelands, 2017
Bernard Naghi, Back to School III, 2017
Isabelle Couture, Yellowjacket, 2017
Una Ursprung, Untitled, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

MAISON DELPHINE

Maison Delphine is a little exquisite store in Zurich, Switzerland, that sells ex­clu­sive and handmade clothes weaved with the highest quality of cashmere. Each piece in the collection is produced personally, tailored according to individual specifications and customised to personal colours. Clients can visit the beautiful store in order to get inspired by the beautiful yarn samples, or to try on the latest collection. Maison Delphine obtains its yarn from traditional, italian companies like Cariaggi Lanificio Spa or Loro Piana. Additional to the collection, some paintings by a local artist are displayed within the showroom, complimenting the soft and warm colours of the collection.

MXA, Colorful Forest, 2017
Fabian Kiepenheuer, Untitled Nr. 11, 2016
Jose Cifuentes, Terri Lew, 2019
B.White, In my Time of Dying, 2017
Hinrich JW Schueler, Abstract Landscape 5-2017, 2017
Christoph Bodmer, Toni, 2017
Aimée Campeau, Voyage, 2015
Boro Ivetic, Golden Star, 2017
Jonathan Grego, Tele a colori, 2010
Jessi Donnelly, Intuitive Spill, 2016
Rasmus Højfeldt, Conceptual Romance, 2017
Dusko Rokvic, Moon in the Bottle, 2018
Emily LaCour, Holding Infinity, 2017
Florina Breazu, Field, 2017
Barabara Krajewska, Two Horses, 2017
Hale Aydar, The Yellow Road ,2018
Eugenio Azzola, Three Geese in a Flock II, 2018
Nao Minei ,”Idea of Gut’s Series, Vol. 1″, 2018
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

NO GLOSS MAGAZINE BY ANNA MAIER

Anna Maier has been a journalist for two decades. Her Blog "No Gloss Magazine" tells maverick life stories and focuses on issues that spark debate and make us think. Toss the gloss and dig in deep. Her stories are scratching below the surface and delves beneath the gloss, focusing on extraordinary people, for lateral thinkers who care about culture, politics, architecture, and travel.

Plamen Enev, White Hills, 2017
Anton Fuchs, Nichtlineare Beziehungen, 2016
Deadhippy, Devil within, 2017
Fréderick Dubeau, Untitled, 2017
Christian Scholz, Wellenzauber, 2017
Maksym Berezenko, 8 Days, 2017
Fabian Kiepenheuer, Storm in a Waterglass, 2015
Elizaveta O’Grady, Spring is on the Way, 2017
Petra Ratner, The Future is Bright, 2017
Cédrick Vannier, Blanche Neige, 2017
Donatella Sommariva, Vertical wood, 2018
Sophie Aline Picaut, Evolution IV, 2017
Saulo Castro, Experimental III, 2013
Karin Goeppert, Creek, 2018
Lisa McLinden, Echo Beach, 2016
Pankaj Barman, Post Lunch, 2019
Karin Goeppert, Garden in Autumn, 2018
Per Olav Kobberstad, Ab1, 2019
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

MAISON DELPHINE

Maison Delphine is a little exquisite store in Zurich, Switzerland, that sells ex­clu­sive and handmade clothes weaved with the highest quality of cashmere. Each piece in the collection is produced personally, tailored according to individual specifications and customised to personal colours. Clients can visit the beautiful store in order to get inspired by the beautiful yarn samples, or to try on the latest collection. Maison Delphine obtains its yarn from traditional, italian companies like Cariaggi Lanificio Spa or Loro Piana. Additional to the collection, some paintings by a local artist are displayed within the showroom, complimenting the soft and warm colours of the collection.

Sam Hennig, Faithless, 2017
Dusko Rokvic, Moon in the Bottle, 2018
Christian Scholz, Wellenzauber, 2017
Emmy de Jong, The Hottest Day of the Year, 2015
Lisa Lupieri, Happy Women’s Day, 2017
Alketa Ramaj, Sofia’s Blouse, 2018
Helen Lack Art,2017
Juliette Belmonte, Mr. C, 2017
Hale Aydar, The Yellow Road ,2018
Alice Cox-Owen, 3. Circle, 2018
Alexander Harding, We Few, 2017
Dennis Lutsch, Untitled, 2018
Saulo Castro, Experimental III, 2013
Burcu Kartal, Saturday Night, 2017
Angela Uren, Grey Light over the Levels, 2016
Natalie Fraire, The Intrepid Journey: 1956, 2016
Jonathan Grego, Tele a colori, 2010
Julia Lambright, All Directions Blind, 2018
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

MAISON DELPHINE

Maison Delphine is a little exquisite store in Zurich, Switzerland, that sells ex­clu­sive and handmade clothes weaved with the highest quality of cashmere. Each piece in the collection is produced personally, tailored according to individual specifications and customised to personal colours. Clients can visit the beautiful store in order to get inspired by the beautiful yarn samples, or to try on the latest collection. Maison Delphine obtains its yarn from traditional, italian companies like Cariaggi Lanificio Spa or Loro Piana. Additional to the collection, some paintings by a local artist are displayed within the showroom, complimenting the soft and warm colours of the collection.

Peter Nilsson, Momentum 310 (Commuting Art), 2017
Spencer Patrick, City in Puddles, 2017
Petra Ratner, The Future is Bright, 2017
Linnea Broling, Lush, 2017
Georgia Goritsa, Waves, 2016
Karin Goeppert, Garden in Autumn, 2018
Jessi Donnelly, Intuitive Spill, 2016
Zannah Noe, Missouri, The Geographical Center of the United States, 2017
Alketa Ramaj, Sofia’s Blouse, 2018
Eugenio Azzola, Three Geese in a Flock II, 2018
Lisa Lupieri, Happy Women’s Day, 2017
Isabelle Couture, Yellowjacket, 2017
Burcu Kartal, Saturday Night, 2017
Donatella Sommariva, Vertical wood, 2018
Jukka Suhonen, A Boat, 2018
Aimée Campeau, Voyage, 2015
Claude Winn, Antheia, 2018
Maksym Berezenko, 8 Days, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

MAISON DELPHINE

Maison Delphine is a little exquisite store in Zurich, Switzerland, that sells ex­clu­sive and handmade clothes weaved with the highest quality of cashmere. Each piece in the collection is produced personally, tailored according to individual specifications and customised to personal colours. Clients can visit the beautiful store in order to get inspired by the beautiful yarn samples, or to try on the latest collection. Maison Delphine obtains its yarn from traditional, italian companies like Cariaggi Lanificio Spa or Loro Piana. Additional to the collection, some paintings by a local artist are displayed within the showroom, complimenting the soft and warm colours of the collection.

Pankaj Barman, Post Lunch, 2019
Zannah Noe, Missouri, The Geographical Center of the United States, 2017
Frauke Friboes, White, 2016
Czesław Nowakowski, Date of a Glass of Wine, 2018
Justyna Jułga, Over the Vistula River, 2018
Sujin Wattanawongchai, 2017-60, 2017
Donatella Sommariva, Vertical wood, 2018
Ørjan Elias Ebbesen Eikemo, Choice, 2017
Julia Lambright, All Directions Blind, 2018
Hun Jung Kim, Girls Inside Me, 2017
Luisa Bruschke, Vision, 2017
Jessi Donnelly, Intuitive Spill, 2016
Claude Winn, Antheia, 2018
Benjamin Nyari, Milo of a Venus, 2017
Lisa McLinden, Echo Beach, 2016
Ct Cummins, Mardi Gras, 2016
Anton Fuchs, Nichtlineare Beziehungen, 2016
Viktoria Feher, #2, 2019
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

THE SLOW

With a successful 9 months of open doors in Bali, The Slow has made its mark as a premier island stay with an artful agenda. Located in the southern hood of buzzing Canngu, the multifaceted establishment incorporates all-day dining and drinks, art and local culture, boutique accommodation, and interactive retail. The eclectic space gravitates around the owners’ personal art collection, with a private collection of featured arts by the likes of Chris Searl, Rostarr, Simon Lekias and Kate Bellm. 

Juan Sanchez, Candle, 2017
Raphaela M.L. Dierks, Spicy Ginger, 2019
Plamen Enev, White Hills, 2017
Jeff Cote, Progressive Forces, 2018
Spencer Patrick, City in Puddles, 2017
Ct Cummins, Mardi Gras, 2016
Jukka Suhonen, A Boat, 2018
Boro Ivetic, Golden Star, 2017
MXA, Colorful Forest, 2017
Juan Sanchez, Clorophytum, 2017
Isabelle Couture, Yellowjacket, 2017
Eugenio Azzola, Three Geese in a Flock II, 2018
Noël Young, Etchings, 2016
Viktoria Feher, #2, 2019
David Willis, Jungalero, 2018
Lisa Lupieri, Happy Women’s Day, 2017
J. Adam McGalliard, Use Your Words I, 2017
Forouzan Shafie, Untitled, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

NO GLOSS MAGAZINE BY ANNA MAIER

Anna Maier has been a journalist for two decades. Her Blog "No Gloss Magazine" tells maverick life stories and focuses on issues that spark debate and make us think. Toss the gloss and dig in deep. Her stories are scratching below the surface and delves beneath the gloss, focusing on extraordinary people, for lateral thinkers who care about culture, politics, architecture, and travel.

Saulo Castro, Experimental III, 2013
Eugenio Azzola, West Fence, 2016
Dennis Lutsch, Untitled, 2018
Cédrick Vannier, Blanche Neige, 2017
Nam Dang, Untitled, 2016
Spencer Patrick, City in Puddles, 2017
Hale Aydar, The Yellow Road ,2018
Deadhippy, The Devil Karim, 2018
Elizaveta O’Grady, Spring is on the Way, 2017
Eric Sher, Deviation from Reality, 2015
Hilal Can Akkor, The Freedom of Colors, 2016
Sophie Aline Picaut, Evolution IV, 2017
Alex Montaner, Riding My Demons, 2017
Christoph Bodmer, Toni, 2017
Ørjan Elias Ebbesen Eikemo, Choice, 2017
Hinrich JW Schueler, Abstract Landscape 5-2017, 2017
Rachelle Kearns, Gracelands, 2017
Burcu Kartal, Saturday Night, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Per Olav Kobberstad, Ab1, 2019
Hinrich JW Schueler, Abstract Landscape 5-2017, 2017
Fabian Kiepenheuer, Untitled Nr. 7, 2016
Luis Andre, Central Park, 2017
Ct Cummins, Mardi Gras, 2016
Cédrick Vannier, Blanche Neige, 2017
Saulo Castro, Experimental III, 2013
Piot Brehmer, VOID/Gaia, 2010
Lisa Lupieri, Happy Women’s Day, 2017
Emily LaCour, Holding Infinity, 2017
Sam Hennig, Faithless, 2017
Kate Dolan, Amongst the Trees with Nina, 2018
Rasmus Højfeldt, Conceptual Romance, 2017
Karin Goeppert, Garden in Autumn, 2018
Plamen Enev, White Hills, 2017
Emmy de Jong, The Hottest Day of the Year, 2015
Una Ursprung, Untitled, 2017
Hvrenja, Playground, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

NO GLOSS MAGAZINE BY ANNA MAIER

Anna Maier has been a journalist for two decades. Her Blog "No Gloss Magazine" tells maverick life stories and focuses on issues that spark debate and make us think. Toss the gloss and dig in deep. Her stories are scratching below the surface and delves beneath the gloss, focusing on extraordinary people, for lateral thinkers who care about culture, politics, architecture, and travel.

Juliette Belmonte, Mr. C, 2017
Florina Breazu, Field, 2017
Maksym Berezenko, 8 Days, 2017
Suki Nabarro, Lost it, 2017
Viktoria Feher, #2, 2019
Verena Mayer, Flowers, 2016
Boro Ivetic, Golden Star, 2017
Farzin Rahneshin, Untitled, 2015
Andrei Rublevik, Web, 2017
Valeria Amer, Tempestuous Days, 2017
Jeff Cote, Progressive Forces, 2018
Hilal Can Akkor, The Freedom of Colors, 2016
Bobbie Kind, NR. 17, 2016
Hun Jung Kim, Girl in Yellow Dress, 2017
Christoph Bodmer, RA, 2016
Frauke Friboes, White, 2016
Fréderick Dubeau, Untitled, 2017
Emily LaCour, Holding Infinity, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

NO GLOSS MAGAZINE BY ANNA MAIER

Anna Maier has been a journalist for two decades. Her Blog "No Gloss Magazine" tells maverick life stories and focuses on issues that spark debate and make us think. Toss the gloss and dig in deep. Her stories are scratching below the surface and delves beneath the gloss, focusing on extraordinary people, for lateral thinkers who care about culture, politics, architecture, and travel.

Sam Hennig, Faithless, 2017
Hinrich JW Schueler, Abstract Landscape 5-2017, 2017
Juan Sanchez, Candle, 2017
Piot Brehmer, VOID/Gaia, 2010
Bernard Naghi, Back to School III, 2017
Alketa Ramaj, Sofia’s Blouse, 2018
J. Adam McGalliard, Use Your Words I, 2017
Viktoria Feher, #2, 2019
Eugenio Azzola, West Fence, 2016
Jessi Donnelly, Intuitive Spill, 2016
Plamen Enev, White Hills, 2017
Hun Jung Kim, Girl in Yellow Dress, 2017
Justyna Jułga, Over the Vistula River, 2018
Lisa Lupieri, Happy Women’s Day, 2017
Alexander Harding, We Few, 2017
Fabian Kiepenheuer, Untitled Nr. 13, 2016
Luisa Bruschke, Vision, 2017
Mila Plaickner, Selfie, 2019

 

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