Fragile Express loves art and offers artworks for sale. In our growing database you find surprising pieces by emerging and leading artists from all over the world that you can simply enjoy or also purchase.

In case of a sale Fragile Express does not take any commission fees. We forward any contacts of potential buyers and interested parties directly to the artist. Fragile Express excludes any obligations and responsibilities concerning any payments, shippings and insurances.

Zack Smithey, Vibrations, 2017
T. H. Bucerius, No. 5, 2017
Jack Charles Gwyer, Composition 6, 2018
Kelvin Low, Freedom 3, 2017
Jakob Pek, Fussure, 2016
Anna Matykiewicz, The Power of Woe, 2017
Shona Masters, Tempest, 2016
Natalia Juarez, Celebration, 2016
Mark Zadorozny, Life’s a ripple, 2018
Amiram Eini, Refugees, 2016
Javier Infantes, Warm Blue #3, 2014
Suki Nabarro, Lost it, 2017
Priscilla Palmieri, Her Majesty, 2017
Frank van der Meijden, Boys Must Be Boys? 2017
Stefania Asunis, Rush, 2017
 

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THE SLOW

With a successful 9 months of open doors in Bali, The Slow has made its mark as a premier island stay with an artful agenda. Located in the southern hood of buzzing Canngu, the multifaceted establishment incorporates all-day dining and drinks, art and local culture, boutique accommodation, and interactive retail. The eclectic space gravitates around the owners’ personal art collection, with a private collection of featured arts by the likes of Chris Searl, Rostarr, Simon Lekias and Kate Bellm. 

Christina Klein, Perspectives, 2017
Sladjana Andrekulovic, Portrait, 2017
Pavel Lysyi, Conformist Walk 1, 2018
Glove, Fabian Kiepenheuer & David Späh, 2014
Fabian Kiepenheuer & David Späh, Teddy Bear, 2014
Dimitra Kavvada, Silence, 2016
Damien Demaiter, The Things of Life, 2018
Maria Andrade, Untitled, 2017
María Argüelles, Atmósferas, 2017
John Cullen, Hug, 2017
Silke Natschke, How to Get Things Right, 2017
Mahsa Sarbaz, Woods, 2017
Gilles Murell, Zirbenschnappssturmkommando + Lollipopkreuzverhör, 2018
Shabana Godhrawala, Chair, 2017
Deardeadhippy, Dystopia, 2017
 

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Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

American Debt, Sweet Potato Field, 2018
Natalia Juarez, Celebration, 2016
Christopher St. John, When the Fire Comes, I Hope They Remember Tenderness, 2017
Fabian Kiepenheuer, Untitled #1, 2008
Mattie Mallernee, Force of Nature, 2015
Benjamin Nyari, Milo of a Venus, 2017
Hun Jung Kim, Red Roofs in Prague, 2017
Le Pauvre Canard, Machine, 2018
Frank Jaehne, Abstract No. 076, 2016
Furkan Sakizli, Colorfall, 2018
Nikolaeva Anna, Just One Question 01, 2018
Frank van der Meijden, Boys Must Be Boys? 2017
Vaclav Pisvejc, Mr.Berlusconi Injures by Little Statue, 2005
Luisa Bruschke, Bright Darkness II, 2017
Fabian Kiepenheuer & David Späh, Necessaire Louis Vuitton, 2014
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Elizabeth Decker, He Came from Europe, 2016
Maria Arismendi, Carretera Nublada #2, 2017
Marie2n1, Academism is a Good Excuse #1, 2017
Jane Downing, Letting Go, 2016
Silke Natschke, How to Get Things Right, 2017
Felipe Castanheira, Untitled, 2017
Anita Owsianna, Strikes, 2016
Eugenio Azzola, Three Geese in a Flock II, 2018
Brooke Major, Maastricht Aerial View,
Lina Kobeissi, The Rush (Gold), 2016
Alexander Harding, We Few, 2017
Maria Kostareva, In the Metro Train, 2017
Amiram Eini, Refugees, 2016
Rachel Wijsman, Lady Art Deco de L’Afrique, 2017
Cara Feder, Double Parked, 2017
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Jane Downing, Tiki Moon, 2016
Linnea Broling, Lush, 2017
Rachel Wijsman, Lady Art Deco de L’Afrique, 2017
Kurt von Bley, auto-da-fé, 2014
Fabian Kiepenheuer & David Späh, Can, 2014
Shiran Bentov, Awake, 2017
Elise Wessels, Greatful, 2018
Knox, Multiple Shapes, 2017
Amiram Eini, Embrace, 2015
Alexander Mateev, Arab Spring, 2017
Piotr Pardiak, Station Nr. 2, 2016
Tim Lorenz, Stau 4, 2016
Karen Goetzinger, Indelible Mark, 2018
Jeff Cote, Absorb The Machine, 2018
Furkan Sakizli, Colorfall, 2018
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

THE SLOW

With a successful 9 months of open doors in Bali, The Slow has made its mark as a premier island stay with an artful agenda. Located in the southern hood of buzzing Canngu, the multifaceted establishment incorporates all-day dining and drinks, art and local culture, boutique accommodation, and interactive retail. The eclectic space gravitates around the owners’ personal art collection, with a private collection of featured arts by the likes of Chris Searl, Rostarr, Simon Lekias and Kate Bellm. 

Lina Kobeissi, The Rush (Cooper), 2016
Emmy Bergkvist, A Grey Thing, 2016
Eric Sher, Deviation from Reality, 2017
Erika Arias, Jardines, 2016
Valeria Drotskaja, Head Nr. 9, 2017
John Kang, Untitled, 2017
Jane Downing, Change Direction, 2017
Hennesien van Walderveen, Dresser, 2017
Shane R. Holtzman, Broken Glass in a Sunlit Field, 2016
Piotr Pardiak, Head, 2016
Larry Hill, Aquamarine, 2008
Gilles Murell, Zirbenschnappssturmkommando + Lollipopkreuzverhör, 2018
Rasmus Højfeldt, Conceptual Romance, 2017
Hun Jung Kim, Red Roofs in Prague, 2017
Stefania Abico, Electro-Pop, 2017
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

THE SLOW

With a successful 9 months of open doors in Bali, The Slow has made its mark as a premier island stay with an artful agenda. Located in the southern hood of buzzing Canngu, the multifaceted establishment incorporates all-day dining and drinks, art and local culture, boutique accommodation, and interactive retail. The eclectic space gravitates around the owners’ personal art collection, with a private collection of featured arts by the likes of Chris Searl, Rostarr, Simon Lekias and Kate Bellm. 

Francisca Rodillo de Vicente, Anónimo, 2016
Laura Bianchi Florio, Emotions, 2017
Jill M. Hundahl, Poets & Poppies, 2015
Christina Klein, Vermilion, 2017
Florina Breazu, Field, 2017
Jane Downing, Linked Together, 2016
Juan Sanchez, Ghiaccio, 2017
Barbara Krajewska, Le Baiser, 2016
Piotr Pardiak, See(a), 2016
Fabian Kiepenheuer, Untitled #1, 2008
Anita Owsianna, Strikes, 2016
Chris Trueman, MP, 2017
Rachel Wijsman, Lady Art Deco de L’Afrique, 2017
Hennesien van Walderveen, Dresser, 2017
Nico Vaerewijck, Untitled, 2012
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

THE SLOW

With a successful 9 months of open doors in Bali, The Slow has made its mark as a premier island stay with an artful agenda. Located in the southern hood of buzzing Canngu, the multifaceted establishment incorporates all-day dining and drinks, art and local culture, boutique accommodation, and interactive retail. The eclectic space gravitates around the owners’ personal art collection, with a private collection of featured arts by the likes of Chris Searl, Rostarr, Simon Lekias and Kate Bellm. 

Leolie Winters, Disapearing Tide, 2016
Pavel Lysyi, Conformist Walk 2, 2018
Juan Sanchez, Ghiaccio, 2017
Hun Jung Kim, Girls Inside Me, 2017
Alexander Mateev, The last Heretic, 2017
Patricia Slosiar, One Life, 2017
Eric Sher, Deviation from Reality, 2015
Cynthea Josephine, Transcendence, 2018
Elena Telyatnik, Path of Soul 4, 2016
Piotr Pardiak, Station Nr. 2, 2016
Larry Hill, Aquamarine, 2008
Thomas Karlsen, Surface, 2017
Charles – Elie Delprat, Catania, 2018
Benjamin Nyari, Milo of a Venus, 2017
Zack Smithey, Vibrations, 2017
 

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MAISON DELPHINE

Maison Delphine is a little exquisite store in Zurich, Switzerland, that sells ex­clu­sive and handmade clothes weaved with the highest quality of cashmere. Each piece in the collection is produced personally, tailored according to individual specifications and customised to personal colours. Clients can visit the beautiful store in order to get inspired by the beautiful yarn samples, or to try on the latest collection. Maison Delphine obtains its yarn from traditional, italian companies like Cariaggi Lanificio Spa or Loro Piana. Additional to the collection, some paintings by a local artist are displayed within the showroom, complimenting the soft and warm colours of the collection.

Fabian Kiepenheuer & David Späh, Teddy Bear, 2014
Olga Berg, Blacklight, 2016
Laura Bianchi Florio, Emotions, 2017
Benjamin Nyari, Milo of a Venus, 2017
Marie2n1, Academism is a Good Excuse #1, 2017
Chris Trueman, MP, 2017
Shona Masters, Simplicity on a White Ground, 2016
Nathalie Arini, Protection, 2017
Natalia Juarez, We are Voyeurs, 2017
Eugenio Azzola, West Fence, 2016
MXA, Abstract Painting, 2018
Isabelle Couture, Yellowjacket, 2017
Lastrina Art, Hillsides, 2017
Muriel Boer, The Beach, 2015
Jasmine Mills, Canopy, 2017
 

This is a message by a partner of our cultural dialogue. Interested to advertise too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Ed Clayton, Dome 1, 2017
Maksym Berezenko, Masks, 2017
MarYi, His Poems are Paintings, 2017
Lauren Walkiewicz, Smile Bitch, 2017
Jamie Lancaster, Lunar, 2018
Daniel Sullivan, Project Monarch, 2017
Jelen Rogaczynski, Portrait of a Man, 2017
Kathryn Last, Amongst Friends, 2017
Jasmine Cadenhead, King Tide, 2017
Anja Katharina Spagl, Ericeira, 2017
Luisa Bruschke, Bright Darkness II, 2017
Amiram Eini, Refugees, 2016
Anthony K. Gardner, 4 Plato’s, 2017
Analogue_to_digital, Fragments of Her Dreams, 2018
Laureta Vinca Mulliqi, Freeze Frame, 2018

 

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