Fragile Express loves art and offers artworks for sale. In our growing database you find surprising pieces by emerging and leading artists from all over the world that you can simply enjoy or also purchase.

In case of a sale Fragile Express does not take any commission fees. We forward any contacts of potential buyers and interested parties directly to the artist. Fragile Express excludes any obligations and responsibilities concerning any payments, shippings and insurances.

Jeff Cote, Absorb The Machine, 2018
Anthony Garratt, Riverbank, 2018
Alexander Harding, We Few, 2017
Juan Avila, First Sight, 2018
Radek Smach, TU709, 2018
Deadhippy, The Devil Karim, 2018
Barbara Krajewska, Le Baiser, 2016
Dérick Moulin, Untitled 5 & 11, 2016
Elise Wessels, Greatful, 2018
Marie2n1, Melting 171216, 2017
Helen Lack, Untitled, 2017
Juan Sanchez, Ghiaccio, 2017
Kyan Smith, Untitled #003-16
Rita Börlin, Louise B, 2016
Daniel Sullivan, Project Monarch, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Julia Jo, Weak In the Knees, 2018
Juliette Belmonte, Mr. C, 2017
Jukka Suhonen, A Boat, 2018
Joe Sobel, Untitled (Digestions), 2016
Biasetti Valentina, Butterfly Song, 2018
Natalia Juarez, Daisies in Vase, 2016
Allison Estergard, Portal, 2018
Miriam Prantl, Eightfolds 5a, 2018
Jane Downing, Letting Go, 2016
Emily Krueckl, Ryann, 2018
Luisa Bruschke, Bright Darkness II, 2017
J. Adam McGalliard, Use Your Words I, 2017
Michelle Wunderlich, Souvenir d’Australie, 2010
Hale Aydar, The Yellow Road ,2018
Shabana Godhrawala, Chair, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

MAISON DELPHINE

Maison Delphine is a little exquisite store in Zurich, Switzerland, that sells ex­clu­sive and handmade clothes weaved with the highest quality of cashmere. Each piece in the collection is produced personally, tailored according to individual specifications and customised to personal colours. Clients can visit the beautiful store in order to get inspired by the beautiful yarn samples, or to try on the latest collection. Maison Delphine obtains its yarn from traditional, italian companies like Cariaggi Lanificio Spa or Loro Piana. Additional to the collection, some paintings by a local artist are displayed within the showroom, complimenting the soft and warm colours of the collection.

Alexander Mateev, Quasimodo, 2017
Jestin George, Off White, 2016
Jack Charles Gwyer, Composition 6, 2018
Rentian Qui, Look Right Through Me No.4, 2016
Pavel Lysyi, Conformist Walk 2, 2018
Claudia Rega, Places 1, 2017
Biasetti Valentina, Butterfly Song, 2018
Meral Gul, Who are you?, 2018
Daniela Schweinsberg, Mad World, 2018
Michele Bajona, Conversazione con Javier Marin II, 2016
Jane Downing, Letting Go, 2016
Ashar, Feel the Wind on your Face, 2017
Zanna G. Baker, Rework#4, 2018
Dragomir Misina, Selfie 3, 2017
Emily Krueckl, Big Risks, 2018
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

THE SLOW

With a successful 9 months of open doors in Bali, The Slow has made its mark as a premier island stay with an artful agenda. Located in the southern hood of buzzing Canngu, the multifaceted establishment incorporates all-day dining and drinks, art and local culture, boutique accommodation, and interactive retail. The eclectic space gravitates around the owners’ personal art collection, with a private collection of featured arts by the likes of Chris Searl, Rostarr, Simon Lekias and Kate Bellm. 

Flo, To Let Go, 2016
Fabian Kiepenheuer & David Späh, Necessaire Louis Vuitton, 2014
Ashar, Feel the Wind on your Face, 2017
Fabian Kiepenheuer, Untitled Nr. 16, 2018
Laura Van Horne, Flowers on Fire, 2018
Leolie Winters, Disapearing Tide, 2016
Kyan Smith, Untitled #003-16
Maksym Berezenko, The Meeting, 2018
Frank Jaehne, Abstract No. 076, 2016
Jakob Pek, Fussure, 2016
Nils Köpfer, Untitled, 2017
Maria Kostareva, In the Metro Train, 2017
Tamara Wasserman, Drunk by Night, 2018
Chris Dietzel, Mausetod, 2017
Sladjana Andrekulovic, Portrait, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

NO GLOSS MAGAZINE BY ANNA MAIER

Anna Maier has been a journalist for two decades. Her Blog "No Gloss Magazine" tells maverick life stories and focuses on issues that spark debate and make us think. Toss the gloss and dig in deep. Her stories are scratching below the surface and delves beneath the gloss, focusing on extraordinary people, for lateral thinkers who care about culture, politics, architecture, and travel.

Liga Kempe, Kingdom, 2016
Cecilia Betancourt, Lives, 2015
Michelle Wunderlich, Souvenir d’Australie, 2010
Elena Telyatnik, Path of Soul 4, 2016
Maria Kostareva, In the Metro Train, 2017
May-Linn Aaslie, January in North
Richard Ketley, Island Series, 2017
Luisa Bruschke, Mental Starchaos, 2016
Marie2n1, Melting 171127, 2017
Stephanie Konu, Homonym, 2018
Pavel Lysyi, Conformist Walk 2, 2018
Eugenio Azzola, West Fence, 2016
Pavel Lysyi, Conformist Walk 3, 2018
Nils Köpfer, Untitled, 2017
María Argüelles, Atmósferas, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

NO GLOSS MAGAZINE BY ANNA MAIER

Anna Maier has been a journalist for two decades. Her Blog "No Gloss Magazine" tells maverick life stories and focuses on issues that spark debate and make us think. Toss the gloss and dig in deep. Her stories are scratching below the surface and delves beneath the gloss, focusing on extraordinary people, for lateral thinkers who care about culture, politics, architecture, and travel.

Gaetano Pergamo, Saved Souls, 2018
Maria Andrade, Untitled, 2017
Joey Santiago, A Colorful Situation, 2018
Farzin Rahneshin, Vacancy, 2018
Roberto Pena-Mendez, Synapse, 2017
Zoran Zekanovic, Blue Surround, 2016
Gillian Woodley, Torso, 2015
Behnaz Raminmajd, Untitled, 2017
Rita Börlin, Louise B, 2016
Patricia Slosiar, The Wild World, 2017
Interior Landscape 2, Wanda Decca, 2016
Franceska, Black Face, 2017
Anthony Garratt, Riverbank, 2018
Natalia Juarez, Daisies in Vase, 2016
Maria Luisa Vino, Untitled, 2016
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

THE SLOW

With a successful 9 months of open doors in Bali, The Slow has made its mark as a premier island stay with an artful agenda. Located in the southern hood of buzzing Canngu, the multifaceted establishment incorporates all-day dining and drinks, art and local culture, boutique accommodation, and interactive retail. The eclectic space gravitates around the owners’ personal art collection, with a private collection of featured arts by the likes of Chris Searl, Rostarr, Simon Lekias and Kate Bellm. 

Anna Sadzik, Bang, 2018
Lina Kobeissi, The Rush (Cooper), 2016
Barbara Krajewska, Tango, 2016
Fabian Kiepenheuer & David Späh, Necessaire Louis Vuitton, 2014
Lauran van Oers, Fauvist Nude II, 2017
Jestin George, Off White, 2016
May-Linn Aaslie, January in North
Kathryn Last, Amongst Friends, 2017
Roberto Pena-Mendez, Synapse, 2017
Patrick Semple, Climatize, 2016
La Calista Mchedlishvili, Behind the Mirror, 2017
Claudia Rega, Places 1, 2017
Frank van der Meijden, Girls Must Be Girls? 2017
Flo, To Let Go, 2016
Javier Infantes, Warm Blue #3, 2014
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Mantha Tsialiou, Untitled, 2018
Masahiro Ogawa, Untitled, 2016
Zannah Noe, Missouri, The Geographical Center of the United States, 2017
Richard Ketley, Island Series, 2017
Christoph Bodmer, Berlin X-Berg, 2017
Furkan Sakizli, Colorfall, 2018
Barbara Krajewska, Le Baiser, 2016
Elizaveta O’Grady, Sunset, 2017
Hale Aydar, PD-7, 2018
Claudia Rega, Places 1, 2017
Anna F Macdonald, The Wait, 2017
Shona Masters, Maelstrom, 2016
Emily Krueckl, Ryann, 2018
Shane R. Holtzman, Broken Glass in a Sunlit Field, 2016
Natalia Juarez, Celebration, 2016
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

MAISON DELPHINE

Maison Delphine is a little exquisite store in Zurich, Switzerland, that sells ex­clu­sive and handmade clothes weaved with the highest quality of cashmere. Each piece in the collection is produced personally, tailored according to individual specifications and customised to personal colours. Clients can visit the beautiful store in order to get inspired by the beautiful yarn samples, or to try on the latest collection. Maison Delphine obtains its yarn from traditional, italian companies like Cariaggi Lanificio Spa or Loro Piana. Additional to the collection, some paintings by a local artist are displayed within the showroom, complimenting the soft and warm colours of the collection.

Ulrike Heydasch, Hinterm Bahndamm – Parzelle IV, 2018
Gitta Duoba, End of Summer, 2017
Anja Katharina Spagl, Ericeira, 2017
Eri V, Ice Cliff, 2016
T. H. Bucerius, No. 5, 2017
Cailin Rawlins, Don’t Let the Monster Win, 2018
Tango Barraza, Hate Each Other, 2018
Brenda Salamone, Nebula, 2016
Michelle Wunderlich, Souvenir d’Australie, 2010
Bohdan Sokur, Olympic Games, 2018
Christoph Bodmer, Berlin X-Berg, 2017
Christoph Bodmer, Sofia Bauhaus, 2016
Patricia Slosiar, One Life, 2017
Vaclav Pisvejc, Mr.Berlusconi Injures by Little Statue, 2005
Marinela Andrekulovic, Sherlock, 2017
 

This is a message by a partner of our cultural dialogue. Interested to participate too?

Atelier Schipfe 27

The atelier Schipfe 27 is located at the medieval arcaded sidewalk called Schipfe directly at the bank of the river Limmat in the heart of Zurich in Switzerland. In this beautiful and idyllic studio Susanna Rüttimann – Kiepenheuer, works as an artist. Initially, she produced utility ceramics, but later she decided to focus her creative activity on female sculptures which she is creating and additionally displaying in her studio. Furthermore, she held exhibitions in European galleries in Berlin, Brussels, St. Gallen, Winterthur and Zurich. In 1982, one of her works was displayed at the Museum of Modern Art (MOMA) in New York.

Karin Goeppert, Chevaux, 2018
Magdalena Kielb, Tell Nobody, 2018
Frank van der Meijden, Boys Must Be Boys? 2017
Tango Barraza, Hate Each Other, 2018
Luisa Bruschke, Vision, 2017
MXA, Abstract Painting, 2018
MXA, Abstract Painting, 2018
Adrián Ssegura, Room I, 2018
Jeff Cote, Absorb The Machine, 2018
Fabian Kiepenheuer & David Späh, Teddy Bear, 2014
Eric Sher, Deviation from Reality, 2017
Kaouther Bahri Darghouth, Memoire, 2018
Marie2n1, Academism is a Good Excuse #1, 2017
Alexander Mateev, Safe our Souls, 2017
MarYi, His Poems are Paintings, 2017

 

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